THE FLAT-TOP ACOUSTIC GUITAR WITH ONBOARD electronics is one of the most “go to” instruments in a guitar
player’s arsenal. By definition, the acoustic-electric is sort of the
amphibian of the guitar family. Equally at home in a practice or
small performance situation as it is on a big stage with a loud
band, the modern acoustic-electric is a highly evolved instrument
whose design has been refined over decades of trial and
error to be the versatile hybrid that it is today. Adding a pickup
and some controls to an acoustic box certainly isn’t brain science,
but designing an affordable production guitar that has to
do double-duty in the acoustic and electric realms does require
considerable R&D to optimize the woods, body size, bracing
configuration, and numerous other details that will ultimately
result in an instrument that responds well acoustically, but isn’t
so light and resonant that it becomes a howling feedback monster
when plugged into an amp or played next to cranked up
stage monitors. The fact that said guitar also has to look great,
play well, and, finally, make a profit for the builder, presents a
rather daunting set of challenges for any manufacturer in this
highly competitive sector of the guitar market.
The five guitars in this roundup cover the price spectrum
from $299 to $499, and each has its own set of qualities that
would make it an attractive choice for just about any application.
We gave them all a thorough shakeout to test their
acoustic performance, and auditioned them through a variety
of acoustic and standard guitar amps, including a ZT Lunchbox
Acoustic, a Bad Cat Bob Cat 100, a Fender Deluxe Reverb,
a Fishman SA 220, and a Victoria 20112. That was the easy
part. Finding a clear winner less so, because despite the $200
spread between these guitars, all of them have their charms
and interesting things to offer. You could hardly go wrong with
any of these guitars, but especially when shopping for an
acoustic-electric, try out as many as possible to see how they
groove with your playing style and sonic tastes. It will be time
well spent to end up with something that’ll satisfy and inspire
you for years to come. —ART THOMPSON
Breedlove Passport Series C250/CMe
Based on the body shape and voicing of Breedlove’s Custom Shop C25, the offshore-made C250/
CMe is a modern-looking instrument that comes with a satin finish and a tasteful cosmetics package
that includes black binding on the body and fretboard, a simple black/white rosette, and tiny
pearl dots on fretboard. The guitar’s construction is first rate throughout, and the interior areas are
also clean as a whistle. The pin-less bridge with compensated saddle makes for quick and easy
string changing due to the strings loading through the rear section of the bridge.
The C250’s two-piece neck has an inviting feel and the frets are evenly crowned and well polished
for enhanced playability. The action is low enough to invite a bit of buzzing here and there
when you pick or strum hard, but overall, the setup and tuneful intonation throughout all reaches
of the fretboard make it a gas to play. The C250’s acoustic sound is highly enjoyable, as everything
sounds well balanced and open, with crisp highs, vibrant mids, clearly defined lows, and above average
sustain that produces the “bloom” on notes and chords that you expect from costlier guitars.
The C250 gets loud when you lay into it, and there’s little compression to hinder its punchy output.
The visible part of the electronics package is the VTC preamp on the upper bout, which is a
stripped-down affair with just three controls (Volume, Low, High) along with a built-in chromatic
tuner that stands out by featuring a large LCD with a backlit needle-style indicator that’s very easy
to see in all lighting conditions. Also, just above the endpin jack is the compartment for the 9-volt
battery, which has a slide-out holder that grips the battery one way only for correct polarity.
The amplified tones offer a good representation of the C250’s acoustic sound, and they have
all the punchiness needed for live playing with a band. Some piezo artifacts are noticeable when
you really dig into the strings, but the tone controls make it easy to dial in sounds, and I never felt
like I was fighting honkiness or needed more control over the mids to get happening tones from
Breedlove’s distinctive styling is well represented by the C250/CMe, and if your tastes don’t demand
a guitar that looks like it was built in the 1930s, this is an instrument with some very appealing
attributes that lands at a price almost anyone can afford. Well done! —AT
PASSPORT SERIES C250/CME
$499 street, gigbag included
NUT WIDTH 1.69"
FRETBOARD Rosewood, 25 1/2"
TUNERS Mini die-cast chrome
BODY Laminated mahogany
with solid cedar top
BRIDGE Rosewood with compensated
PICKUP Passport Active VTC
CONTROLS Volume, Low, High;
STRINGS D’Addario EXP,
WEIGHT 4.68 lbs
KUDOS Plays and sounds like
a higher-priced guitar.
Excellent build quality.
Large tuner display.
CONCERNS Sharp corners on nut.
Trickfish Amplification Welcomes Jimmy Haslip to Their Family
Violent Femmes Announce Additional Summer 2016 Tour Dates
R&B Gold: Miami Soul Stew
Universal Audio Releases Fender ‘55 Tweed Deluxe Amplifier Plug-In
ROLI Raises $27 Million to Globally Expand its Connected Music Ecosystem
Applied Acoustics Systems Releases the Epicycles Sound Bank
Tom Oberheim, Designer of Synthesizers
Seymour Duncan Introduces Woody SC Pickup: Single-Coil Chime, Top-End Brilliance
Luther Dickinson Discusses Blind Willie Johnson Tribute Album
Collings Launches T Series of Traditional Dreadnought and OM Acoustic Guitars
Monsters of Rock Cruise 2017 Lineup Announced
Chelsea Grin Premiere New Song, “Clickbait”
Listen to an Unreleased Version of Death’s “Legion of Doom”
History of the Blues in 50 Guitar Riffs
Expand Your Melodic Colors with 9th Arpeggios
John Entwistle's Isolated Bass Track from The Who's "Won't Get Fooled Again" at Shepperton Studios
Copyright ©2016 by NewBay Media, LLC. All Rights Reserved. 28 East 28th Street, 12th floor, New York, NY 10016 T (212) 378-0400 F (212) 378-0470