Each tap on the delay has selectable feedback, stereo image and position, delay time, multimode filter, modulation, drive/tape saturation, and reverb. Moreover, the feedback and drive can be placed at the beginning or end of the signal chain for even more sound design options.
The modulation section consists of both an LFO and Envelope follower, and the tape saturation algorithm is taken from their mastering processors. And of course all this can be done at any bit depth and sample rate up to 24-bit, 192kHz, and be fully automated via MIDI and any host sequencer.
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