Two power modes (Class AB and Class A) divisible by pentode (full power) and triode (half power) operation put four unique, classic and powerful voices right at your fingertips and you won’t need a PhD to get amazing tone, whether it’s searing rock-your-face-off-at-full-volume riff work or plucky, responsive Class A blues when you’re feeling all deep ’n’ stuff.
Two simple switches – Class and Power (which are what everyone wants, really) – open up an endless world of tonal possibilities:
And this is all before you even dial in a brilliantly tuned EQ section and rein everything back through the master volume and master presence controls.
Hothead has two channels (Loud and, ahem, F’n Loud), each selectable by a mini toggle on the faceplate or remotely via the included footswitch, and each voiced through its own dedicated EQ section. No more switching from one sound to the same sound in the middle of your jam. Dial in two distinct voices and rock on.
Blackheart Hothead / Add One
The Loud channel (aka “One”) is voiced to range from crisp cleans to classic rock and heavy blues tones. Its controls include drive, level, treble, middle and bass. The F’n Loud channel (aka “Two”) is voiced to capture classic crunch to sweet overdriven lead tones, all shapeable via pots for gain, level, treble, middle and bass.
Both channels share a tube driven effects loop that can be run in series or parallel modes (selectable by mini toggle on the amp’s rear panel) and then hard bypassed, doubling as a footswitch-activated boost. Send and return controls act as expected.
When the effects loop is on, the blue LED on the footswitch lights up. When using the effects loop as a boost, use the hard bypass selection. Then, when you turn the effects loop on (the blue LED lights), decrease your send and/or return level to create a non-boosted level. Admit it… that’s cool!
Other Hothead amenities include: a solid state rectifier; DC powered filaments (preamp) for solid, quiet operation; 16-gauge, 1.5mm rugged chassis construction with folded and welded corners; one 16-ohm, two eight-ohm and two four-ohm output jacks, plus a 1/4-inch line out; and a rugged cabinet constructed of durable 15-ply, 18mm, void-free plywood.
Naturally, the rock-it scientists at Blackheart Engineering wouldn’t create this monstrosity without giving it something to play with; hence the company is also introducing its BH412 Slant (SL) and Straight (ST) cabinets (each $449.99 U.S. street price, also shipping in May). Loaded with four 12-inch Blackheart by Eminence BH1216B Speakers, British-voiced and specifically designed for closed back cabinets, both the BH412SL and BH412ST feature that rugged “we’re in this for the long haul” build quality that makes every Blackheart piece of gear a lifelong commitment to sounding your best, being your best, and pissing off your neighbors until they finally call the cops.
Instead of focusing on how inexpensively products can be made (which is like trying to see how ugly a date you can get), Blackheart sends these out your way with metal handles that’ll hold their own for years and heavy-duty, removable metal casters that’ll roll while you rock longer than most bands will stay together. These are sexy little boxes that feature meticulous tolex work wrapped around 15-ply, 18mm, void-free wood cabs, classically joined and glued.
With power handlings rated at 300 watts, both cabs have an input impedance of 16 ohms and sport parallel 1/4-inch input jacks to daisy chain multiple speaker cabinets from a single source.
Blackheart Engineering is a new guitar amplifier company benefiting from both the design expertise of Pyotr Belov and manufacturing muscle of Crate/LOUD Technologies Inc. Dedicated to delivering the best old-school, all-tube tone at price points within any guitarist's reach, Blackheart truly embraces the camaraderie, attitude and spirit of irreverence that is rawk!
For more information visit: http://www.blackhearteng.com.
Blackheart Engineering is a trademark of Loud Technologies Inc. in the United States and all other countries. All other trademarks are the property of their respective owners.
About LOUD Technologies Inc.
LOUD Technologies Inc. (www.loudtechinc.com) is one of the world's largest manufacturers and distributors of professional audio and music products. As the corporate parent for world-recognized brands including Alvarez, Ampeg, Crate, EAW, Knilling, Mackie, SIA and TAPCO, LOUD Technologies produces and distributes a wide range of digital recording products, loudspeakers, commercial audio systems, audio and music software, guitars, guitar and bass amplifiers, and orchestral string instruments. LOUD Technologies' brands can be found in professional and project recording studios, video and broadcast suites, post-production facilities, sound reinforcement applications including churches and nightclubs, and retail locations as well as on major musical tours.
This press release contains statements that are forward-looking statements within the meaning of the Private Securities Litigation Reform Act of 1995. These statements are based on current expectations, estimates and projections about the Company's business based, in part, on assumptions made by management. These statements are not guarantees of future performance and involve risks, uncertainties and assumptions that are difficult to predict. Therefore, actual outcomes and results may differ materially from what is expressed or forecasted in such forward-looking statements due to numerous factors, including those described above and the following: changes in demand for the Company's products, product mix, the timing of customer orders and deliveries, the impact of competitive products and pricing, constraints on supplies of critical components, excess or shortage of production capacity, difficulties encountered in the integration of acquired businesses and other risks discussed from time to time in the Company's Securities and Exchange Commission filings and reports. In addition, such statements could be affected by general industry and market conditions and growth rates, and general domestic and international economic conditions. Such forward-looking statements speak only as of the date on which they are made, and the Company does not undertake any obligation to update any forward-looking statement to reflect events or circumstances after the date of this release.
Peter Hook Discusses His Live Recordings of Classic Joy Division and New Order Albums (WATCH)
TC Electronic Introduces PolyTune 3- Next Generation Polyphonic Tuner with Built-In Buffer
Rex Brown Announces Debut Solo Album Debuts New Single (LISTEN)
This Week in Free Stuff: Light-Load Plug-in Instruments
Superbooth17 Day One: The Weird and the Wonderful
Puremagnetik K-Station Atmospheres Revives Love for the Kawai K5000S Additive Synth
The Art of Synth Soloing: Joe Zawinul, the Syndicate Years
Steinway Unveils Art Case Piano Celebrating Composer Modest Mussorgsky
Rediscovering LA Synthesis
Four Chronographs That Put You in the Driver’s Seat
2017 Jeep Grand Cherokee SRT: The Weekday Warrior
Magnatone Adds the New Lyric Amplifier to The Studio Collection
Terror Stream New EP, 'The Walls Will Fall'
Danzig Premieres New Song, "Devil on HWY 9," Reveals New Album Details
Rex Brown Premieres New Song, "Crossing Lines," Shares New Album Details
Gear Review: Fret-King Elise GG MKII Guitar
See the Purple Special, the Last Guitar Made for Prince
Hear Rex Brown's New Song, "Crossing Lines"
Copyright ©2017 by NewBay Media, LLC. All Rights Reserved. 28 East 28th Street, 12th floor, New York, NY 10016 T (212) 378-0400 F (212) 378-0470