Penned by a pair of academics
from beyond the
Big Pond, this tome purports to present a
critical analysis of progressive rock. Part
apologia and part socio-historical cum philosophical
treatise, it typically reveals more
about the authors than the music, often connecting
dubious dots, and ascribing meaning
extending to the “ontological” to rock lyrics,
artwork, and music via pedantic prose. Those
willing to negotiate the turgidity will nonetheless
encounter an abundance of intriguing
information and even occasional perspicaciousness.
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