Albion AG40DFX

August 17, 2011

imgThis dual-channel 40-watt 1x12 combo features a hybrid highvoltage FET/12AX7 tube preamp and a constant-current solidstate power amplifier—both designed to sound as tube-like as possible. The Normal and Overdrive channels each have individual Volume and Gain controls, and share a common EQ section comprising Treble, Middle, and Bass controls. The idea here isn’t so much to have two distinctly different tones as it is to provide one basic tone with two levels of gain/overdrive on tap. You can toggle between the channels using either a switch on the control panel or the included footswitch. There are also 1/8" jacks for connecting a playback device such as an mp3 or CD player and monitoring with headphones. The power receptacle, footswitch jack, and external speaker jack are located on the underside of the amp chassis, facing down. This shouldn’t pose any danger for the latter two, but making it even slightly easier for the power cable to fall or get pulled out isn’t ideal.

imgThe AG40DFX also has an onboard digital effect processor with 16 presets. There is a rotary Select control and a numerical LED readout indicating preset numbers, but the presets aren’t named, so you have to remember which numbers correspond to which effects. A Depth control blends the effected sound with the dry sound, but there is no control over individual effects parameters. The effects presets include Slap (more like a doubler than a traditional slap-back), Digital Delay (short delay with four repeats), Ambience (resonant reverb with quick decay), Early Reflect (short, gated reverb), Chorus, Echo (short delay with nine repeats), Flange, Phaser, and eight types of reverb. The selection of reverb effects is quite good, and includes tasty Reverse and Gated presets along with the standard Room, Hall, Chamber, and Spring options.

The three tone controls are pleasantly voiced, though only the Bass control has much range—and it has a nice bump in the mid-lows that provides a “loudness” effect at lower volumes. The Normal channel produces a full, warm, tube amp-like sound and stays relatively clean and clear even with the Volume control cranked and the Gain control at three o’clock. Upping the Gain control beyond that point results in a more transistor- like crunch. The Overdrive channel also produces a relatively tube-like sound—particularly on mid- and higher-gain settings—though things get a little noisy with the Gain control much past halfway up.

The AG40DFX covers a fairly wide range of blues and classic and modern rock tones, and I was even able to coax out some chunky metal sounds thanks to the surprisingly deep and tight low-end thump that ensues when the Bass control is cranked. And the amp responded well to playing dynamics on both clean and overdriven settings, in much the same way that a good tube amp might. I can’t say that I was inspired by the tones, but they were quite good considering the price.

With its switchable channels, onboard digital effects, and complement of workhorse tones, the AG40DFX makes an excellent choice for players on a budget, those in need of a versatile rehearsal or practice amp.

More from this Roundup:

Albion AG10, AG40DFX, TCT 35, and TCT 50
TCT 50
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