YOUR SOUND BECOMES ELECTRIC HERE.
This unassuming coil of wire is the thing that makes your tone electric. Without this, you are just playing a quiet acoustic guitar made out of solid wood. This little factory creates an electrical current that represents the sound of your precious playing all the way until it hits the airwaves again through a speaker. So the way in which that current is created is the cornerstone of your tone.
MAGNET MATERIAL IS IMPORTANT, BUT IT ISN’T THE FINAL WORD.
As a rule of thumb, alnicomagnet pickups are considered smooth and dynamic, while ceramicmagnet pickups are considered precise and aggressive. But in each case, the material used is only a tool to provide the magnetic strength (a.k.a. gauss) that allows the coil to produce an electrical current. Your signal doesn’t pass through the magnet in any way. Pickup designers who know their onions can make just about any type of pickup with any magnet, and Joe Barden, Bill Lawrence, DiMarzio, Seymour Duncan and several others make entirely smooth and dynamicsounding units with ceramic magnets.
COIL VARIABLES ARE CONSIDERABLE.
Guitarists tend to be aware of the differences between single-coils and humbuckers, and to some extent “vintage” vs. “highoutput” pickups, but the variables in design and construction even between similar types are considerable and affect their performance greatly. Not only do different types and gauges of coil wire lead to different sounds, but the way in which the wire is wound also has a major impact. Tightly and evenly wound coils sound different than those wound unevenly or “scatter wound.” Wide and shallow coils sound different than tall and thin coils, even when they carry the same length of the same wire. Wax-potted coils sound different than un-potted, and so forth.
MAGNET LOCATION ALSO AFFECTS TONE.
Two pickups that have identical coils, but have magnets placed differently— one with magnet polepieces, one with steel polepieces and a magnet below to “charge” them— will sound inherently different. The magnetpolepiece unit (think Fender Strat and Tele pickup and Gretsch Dynasonic) will have a slightly snappier response with crisp note definition, while the steel-pole pickup will sound relatively thicker, and perhaps a tad grainy (think P-90, Filter’Tron or PAF-style humbucker). The reason behind this, says Lindy Fralin, “gets us into some really heavy duty physics. Part of the reason is that there’s a more complicated magnetic field [with the magnet below steel poles], because the bar magnets are sideways under everything.” Simply know that it makes a difference!
OUTPUT STRENGTH AFFECTS TONE, TOO.
While it obviously impacts the strength of your signal—changing overdrive characteristics in particular—a pickup’s tonal character also changes as its power increases. When you overwind a pickup to make it more powerful, mids increase, but highs decrease, and low end often softens too. Every change to a design affects tone, and not just the so-called output strength. And, as crucial as pickups are, it’s important to know that they can’t do it alone: Any guitar’s resonant characteristics (formed by its woods, construction, hardware, scale length and so on) shape its sound even before the pickup translates it into an electrical signal, so every ingredient matters.
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