Though some may not like being able to feel the grain in the lightly finished mahogany neck, it has a comfortable, easy playing feel, excellent upper fret access (thanks to the cutaway,) and the intonation is such that chords sound tuneful anywhere you grab them. Played acoustically, the CW sounds crisp and balanced with a taut low-end response and good upper midrange complexity. The dreadnought-sized body puts out plenty of sound for jamming or non-amplified rehearsals, and the guitar is good to go if you need to amplify. When plugged into a couple of different acoustic amps (a Genz-Benz Shenandoah Acoustic Pro and an L.R. Baggs Acoustic Reference) we only needed to cut the mids back to mitigate some of the honkiness and get a sound that was close to what the CW delivers au natural. With only two bands of EQ, that part of the tone shaping had to be done using the amps’ controls. But with a little time spent dialing things in, the CW’s sound opened up and the guitar was fun to play to the limits of its feedback threshold. There’s no phase switch to assist in feedback control, but, by keeping the lows in check with the Bass control, you can easily get enough volume to cut a band gig with this guitar (this model is now equipped with the Godin EPM Quantum Q1T system, which has a tuner, a more expansive EQ, and external battery access). All in all, the CW is a happening guitar for a great price—especially considering that it’s made on the North American continent .
The neck on the MS feels exactly like the CW’s, which could be great or less great depending on how you feel about necks with such an open grain. Nevertheless, the playability is excellent thanks to the low, buzz-free action and smooth frets. This guitar intonates well too, which enhances its focus and sense of tonal togetherness. The MS sounds like it would cost more than $595—it’s well balanced, its highs have a crisp sheen, and the mids are detailed and present without being honky. The MS would be a great choice for recording with a mic, and though you’ll need to install a pickup if you want to amplify it or run it direct, this model would be my pick from a purely tonal standpoint. A guitar that performs well, is priced very reasonably, and is made completely of solid woods—the 25th Anniversary Mahogany Spruce is a mighty tempting deal if you’re value shopping for a new flat-top.
Peter Hook Discusses His Live Recordings of Classic Joy Division and New Order Albums (WATCH)
TC Electronic Introduces PolyTune 3- Next Generation Polyphonic Tuner with Built-In Buffer
Rex Brown Announces Debut Solo Album Debuts New Single (LISTEN)
This Week in Free Stuff: Light-Load Plug-in Instruments
Superbooth17 Day One: The Weird and the Wonderful
Puremagnetik K-Station Atmospheres Revives Love for the Kawai K5000S Additive Synth
The Art of Synth Soloing: Joe Zawinul, the Syndicate Years
Steinway Unveils Art Case Piano Celebrating Composer Modest Mussorgsky
Rediscovering LA Synthesis
Tal Farlow: Seven Guitars That Reveal the Jazz Giant’s Vision as an Innovator
Four Chronographs That Put You in the Driver’s Seat
2017 Jeep Grand Cherokee SRT: The Weekday Warrior
We Start Wars—Featuring Nita Strauss—Premiere New Song, "The Animal inside"
While She Sleeps Joined Live by Bring Me the Horizon's Oli Sykes During Hometown Show
Ivan Moody Issues Statement, Will Not Be Leaving Five Finger Death Punch
Eric Clapton: 10 of His Best Under-the-Radar Solo Songs
Don Felder: Five Things We Learned from His New Ernie Ball 'String Theory' Episode
Chris Cornell Performs “Black Hole Sun” on ‘CBS This Morning’
Copyright ©2017 by NewBay Media, LLC. All Rights Reserved. 28 East 28th Street, 12th floor, New York, NY 10016 T (212) 378-0400 F (212) 378-0470