If there is one hard-fought battle that consistently emerges in the music industry, it’s the one surrounding trademarks.
Session guitarists walk into studios like gunslingers laying down track after track of grooves, licks, and solos that make recordings come a...
You like the beefy sound of humbuckers, but also the clarity of single-coils.
You can make dramatic changes to a guitar’s tone with EQ, so here are some common tonal options.
As I said last month, the mysterious man who walked into the room while we were jamming on Cream tunes was the producer Bob Ezrin.
Why create your own guitar loops? Because sometimes you nail a part and want to repeat it—or, especially, modify it (create variations, tran...
People often ask me how I write orchestral music.
There is a way to fine tune your tone that often gets overlooked but can really help put some icing on your tonal cake: your guitar cord.
I thought I might go a little off topic this month, just to give you a little history as to how it all began for me—at least professionally.
GP columnist Scott Mathews challenges your guitar lust.
Stefanie Drootin-Senseney and The Good Life Announce Summer Tour in Support of New Album
Give The Drummer Some: Gregg Bissonette
Motörhead to Release One Of Their Final Perfoamcnes 'Clean Your Clock' On June 10 - Watch 'Overkill' Live Video Here
MyVolts Launches Kickstarter Campaign for Play Anywhere USB Power Cable
Happy Birthday, Bob Moog: Michelle Moog-Koussa on Bob and EM
iZotope Announces VocalSynth
Bob Moog - On Synthesizers: Modulation, Part I
PreSonus Releases Presence XT Editor
Kwaya - African Voices by Eduardo Tarilonte
Will a Bluetooth Guitar Pick Make You a Better Guitarist?
Radiohead Play “Creep” for First Time in Seven Years
Pearl Works and Knaggs Guitars Collaborate on Custom Larry Sifel Acoustic
New Issue Preview: Revolver June/July 2016
Video: It Lies Within Tour Documentary, Part 1
Gojira Premiere New Song and Music Video, “Silvera”
History of the Blues in 50 Guitar Riffs
Expand Your Melodic Colors with 9th Arpeggios
John Entwistle's Isolated Bass Track from The Who's "Won't Get Fooled Again" at Shepperton Studios
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