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GuitarPlayer.com >> This Month >> Single-string Speed-picking
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Rusty Cooley

Single-String Speed-Picking

| May, 2006

Whether you’re playing riffs, melody lines, rhythm parts, or solos, when it comes to shred there’s probably no more useful technique than that of fast and accurate alternate picking. But it’s important to note that if you can’t play fast on one string, you’re certainly not going to be able to do so on multiple strings. Borrowing from my new instructional DVD, Basic Training [Chopsfromhell.com], here are a few cool single-string exercises that are sure to get you up to speed.


jOnce you get ’em dialed and can perform them with the requisite string muting, you’ll be well on your way to becoming a monster speed picker. Each exercise involves three notes from the A natural minor scale. Practice each pattern on all six strings using different scale tones and scales. Keeping track of the downbeats on odd groupings like “fives” [Ex. 5] and “sevens” [Ex. 7]—both of which I love, because they sound so unpredictable when played in 4/4 time—can be tricky. A metronome will help.

Huh?

Because heavy distortion compresses guitar signal, it takes only a small amount of unintended string ring to add significant noise and clutter in high-gain situations. Most experienced lead guitarists minimize this undesirable phenomenon by muting all unused strings. This muting is a team effort between both hands. Typically, any strings lower in pitch than those being fretted are muted with the heel or side of the picking hand (or by curling the fretting hand thumb over the top of the neck). Unused strings higher in pitch are conveniently deadened by the underside of the fretting hand’s 1st finger.


 
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